sábado, 21 de noviembre de 2009

Tim Burton en el MoMA

Taking inspiration from popular culture, Tim Burton (American, b. 1958) has reinvented Hollywood genre filmmaking as an expression of personal vision, garnering for himself an international audience of fans and influencing a generation of young artists working in film, video, and graphics. This exhibition explores the full range of his creative work, tracing the current of his visual imagination from early childhood drawings through his mature work in film. It brings together over seven hundred examples of rarely or never-before-seen drawings, paintings, photographs, moving image works, concept art, storyboards, puppets, maquettes, costumes, and cinematic ephemera from such films as Edward Scissorhands, The Nightmare Before Christmas, Batman, Mars Attacks!, Ed Wood, and Beetlejuice, and from unrealized and little-known personal projects that reveal his talent as an artist, illustrator, photographer, and writer working in the spirit of Pop Surrealism. The gallery exhibition is accompanied by a complete retrospective of Burton’s theatrical features and shorts, as well as a lavishly illustrated publication.

Burton's films include Vincent (1982), Pee-wee's Big Adventure (1985), Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), Batman Returns (1992), The Nightmare Before Christmas (as creator and producer) (1993), Ed Wood (1994), Mars Attacks! (1996), Sleepy Hollow (1999), Big Fish (2003), Corpse Bride (2005), Charlie and the Chocolate Factory (2005), and Sweeney Todd (2007); writing and Web projects include The Melancholy Death of Oyster Boy & Other Stories (1997) and Stainboy (2000).

Timed tickets are available online only for this exhibition at no extra cost. Simply select a specific date and time when you purchase your admission ticket online. Timed-ticket holders are guaranteed entry at the selected time. Please note that tickets purchased at the Museum are not timed. Untimed tickets do grant entry to the exhibition, but there may be a significant wait. Members and accompanying guests need not wait to enter Tim Burton. Simply present your membership card and/or member guest admission ticket at the exhibition entrance.


Organized by Ron Magliozzi, Assistant Curator, and Jenny He, Curatorial Assistant, Department of Film, with Rajendra Roy, The Celeste Bartos Chief Curator of Film.

Tim Burton

November 22, 2009–April 26, 2010

Theater 1 Gallery
Theater 2 Gallery
Special Exhibitions Gallery, third floor
Museum Lobby


Accompanied by the film exhibitions Tim Burton and Tim Burton and the Lurid Beauty of Monsters

Read more about the exhibition at INSIDE/OUT, a MOMA/P.S.1 blog.

Download the Family Activity Guide in PDF format (Adobe Acrobat Reader required).

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excursión interactiva obligada

jueves, 19 de noviembre de 2009

Superslim en campaña de Vodafone

RMD Kwikform Ibérica ha colaborado con Waskman Publicidad en la creación de unas plataformas publicitarias en Madrid y Bilbao que forman parte de la última campaña publicitaria de la multinacional de telecomunicaciones, Vodafone. La agencia de publicidad Waskman ha diseñado dos oficinas “sin cables”, una en Bilbao en la fachada de un edificio y otra en Madrid en pleno Paseo de la Castellana.



Para las dos oficinas RMD Kwikform has diseñado, suministrado y montado estructuras de soporte con su producto estrella, las vigas alveoladas Superslim. Sobre estas estructuras metálicas se apoyan las oficinas de Vodafone, que tienen un peso de 8.000kg cada una.

Otra vez más se demuestra la versatilidad del sistema Superslim y su enorme variedad de aplicaciones: encofrados de muro, encofrados de tableros, apuntalamientos de muros, estabilizadores de fachada, torres de apeo, casas modulares desmontables, decorados de televisión…



si quieres saber más sobre estas estructuras, mira esto

jueves, 12 de noviembre de 2009

miércoles, 11 de noviembre de 2009

lunes, 2 de noviembre de 2009

Taller de escenografia interactiva @ LabFàbrica

The interactive Scenography Lab proposes the creation of theatre scenes by mixing new media with classical stage design.

The workshop is oriented to video-makers, musicians, scenographers, engineers or spectacle technicians who are willing to spend some days contributing with their creativity and experience. Some of the resources are based on audio, video, design, robotics, lightning and interactive technologies as well as scene design and the wit of participants.

The main goal is to realize some sketches on a little scale which mix together all these disciplines.

The workshop is divided into 2 weeks of work. One, in a Celrà’s LabFàbrica classroom, and the other one in the Teatre Ateneu of Celrà.

Interactive Scenography Lab from Santi Vilanova on Vimeo.

+info: santi@telenoika.net
telenoika.net

labfabrica.net